The photo of Peanut below was taken when she was about 3 years old, although we've seen this expression of her quite often. She and The Oldest had these great, old-fashioned looking dresses that gathered on the sides. We had a little photo shoot while visiting my parents. After awhile Peanut had enough!
For this painting, I'm going back to a full sepia underpainting. To do this, I start with a toned canvas. Usually I use burnt umber mixed with white, but this time I chose to use raw umber and white. Raw umber has more green in it, while burnt umber has more of a red tone. Sometimes I feel like I fight with the brassiness of a painting, so I'm hoping that going with a grayer, greener brown will help.
My big easel has clips that I can use to hold my photos when I paint, but since we moved I've been painting in my kitchen and using my portable easel. I had been using masking tape to fasten my photo alongside my canvas, but it tends to droop after awhile. Using binder clips to fasten the photo (taped on a folder) to the back of the canvas works much better. No more drooping!
With this painting method, I use only brown (in this case raw umber) and white for my underpainting. Before I get too far down the line, I spend a little time laying out my subject - grumpy Peanut. This saves me time in the long run. It's such a bummer to have a beautifully painted face and then realize you need to move it!
A couple of hours later the kids are coming home from school and my underpainting looks like this. I've still got some work to do - I couldn't get my whites bright enough because my canvas got too wet. I also need to figure out what I want to do for the background, but I like how she looks so far!
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